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Anyone familiar with director Mamoru Oshii will likely remember him directing stuff like the Ghost In The Shell movie or the Patlabor series. But before he worked on those, he directed the first two Urusei Yatsura movies before moving to Studio DEEN to do his own thing. There, Oshii created the movie Angel's Egg, with help from Final Fantasy artist Yoshitaka Amano, among many other staff members. Angel's Egg is a beautifully animated and atmospheric yet extremely minimalist and strange movie that doesn't adhere to the typical rules of storytelling. It's very much an art house movie with a capital A. I personally love this movie and consider it the best thing that ever came out of anime, especially for the eighties, but it wasn't very well received when it was first put into theaters. In 1988, Carl Colpeart got the rights to the movie, but spliced the footage into a live-action movie he was making, calling it In The Aftermath: Angels Never Sleep, which...I don't recommend watching. The staff admitted they didn't understand the movie, called it incomprehensible, and really shot the live-action parts in an attempt to make it more understandable. Really, they should have just left it alone.

That was the only official American release Angel's Egg ever got, even as people rediscovered it in its original format and began to appreciate it for what it was. Unfortunately, no company seemed to be able to officially license Angel's Egg for any kind of home video release. All sorts of reasons were rumored but not outright confirmed: Copyright red tape involving In The Aftermath, Oshii supposedly losing the licensing contract for it, Oshii himself not wanting to license it out, ludicrous licensing prices, etc. Again, there was no official reason given for why it seemed impossible for Angel's Egg to be exported outside of Japan in its uncut format, though fansubs were, thankfully, abundant, contributing to its cult status. Then, starting in 2022, various companies and film festivals managed to secure the rights screen the movie, with one of them being the Japan Society, which screened a 4K remaster in September of 2023, the first time Angel's Egg has ever been shown in the US uncut. Clearly, something was going on. Had the rights to this movie been cleared at last? Who provided the English subtitles, and who even had the license?

That answer would be unveiled on May of 2024, when GKids announced they secured both theatrical and home video rights to Angel's Egg, alongside a 4K remaster with Oshii supervising it. The movie would be officially screened in the US in 2025 in honor of its 40th anniversary. Seriously guys, this is a HUGE deal. Angel's Egg is considered one of many licensing white whales, one that many considered would be impossible to get. Well, if any company proved they could do it, GKids would be it. I mean, these are the same people who managed to net similar licensing nightmares such as Neon Genesis Evangelion and Future Boy Conan. And considering one of the movies they licensed won an Oscar this past year, they are absolutely rolling in money which I can bet was used to secure this and possibly other titles. GKids, you guys are doing old school anime fans a huge service, right up there with Discotek and possibly the new AnimEigo. What's next, is GKids gonna get Netflix shows like Little Witch Academia and My Happy Marriage next? There seems to be no licensing red tape they can't untangle (Except for securing the rights to use Fly Me To The Moon, and that's a whole other beast they admitted would absolutely kill them), and I'm beyond excited to not only see Angel's Egg legally, but own it. I wonder if they'll give it an English dub? If they do, cool, if not, that's fine too. I'm just happy Angel's Egg is going to finally be legally accessible, and you bet your ass I'm buying that blu-ray and looking forward to what GKids is cooking up next!

Moment #2: Gkids achieving the impossible and licensing Angel's Egg.
juliko25: (Default)


Oh, Wonder Egg Priority. You got off on such a strong start, and were even considered the best anime of the season before Odd Taxi came out. People loved your luscious animation, relatable characters, and stark presentation of serious topics. But reports of animators being overworked to the point of being sent to the hospital started trickling out, resulting in a recap episode that resulted in the show being unable to end the way it wanted to. Not only that, the show's flaws would be more and more apparent from episode 8 onward, making people question if WEP was even worth following anymore. It didn't help that episode 12 ended on a massive cliffhanger. After a 2 month delay, it was said that Wonder Egg would wrap things up in a one hour special. Fans, such as I, were absolutely stoked! The extra time would allow the animators to get back on track and end the show with a bang.

But then the special dropped and...hoo boy, it was a huge shitshow. Everyone, me included, absolutely hated it. For one, the special started off with a SECOND recap taking up half an hour, and the rest of it was just a bunch of nonsense that came right the hell out of nowhere, not only just dropping plot points it introduced, but a ton of reveals that made absolutely no sense and seemed to go against what WEP previously established, and don't even get me started on the reveal about Koito. Blegh. Basically, the show's bad writing decisions really hurt the show's overall quality, and now WEP is infamous for not only its troubled production, but for completely failing to live up to the hype it established, among other things.

Moment #9: The Rise and Fall of Wonder Egg Priority.
juliko25: (Default)
WonderEggPriority.jpg

I give this wild, ambitious, dark anime about girls confronting their problems...an 62/100.

Wonder Egg Priority. That's a weird title if I ever heard one. When this anime was first announced, there was literally no information on it except for it being about a girl and her friends getting eggs from a gachapon machine. Nobody knew what it was going to be...and nobody expected it to turn out the way it did either. Needless to say, Wonder Egg made a huge splash for its luscious animation, dark, heavy story that was willing to push boundaries, and star very flawed but relatable characters that didn't quite fit into the archetypal anime molds that we're so used to. This is especially notable considering this is the product of a small group of animators, a new director, a creator who mostly had experience working on live-action stuff, and a new studio that only just formed a few short years ago. It wouldn't be a stretch to call this one of the most ambitious anime of winter 2021, and for good reason. That being said, as you can tell by my score, it's...not great, and this is actually due in part to a lot of behind-the-scenes stuff in regards to the staff and animation team behind this project. So let's see if we can make an omelet out of these eggs, shall we?

The story begins with a young girl, Ai Ohto, reeling from her best friend's suicide. Having been previously bullied because of her heterochromia, losing a friend in such a gruesome way has made her shut herself at home, so she refuses to go to school. One night while out on a walk, she buries a dead firefly...which reanimates and leads her to a strange place where she is told to get an egg from a capsule machine. Later, she wakes up in a strange dream world that looks a lot like her school, where monsters known as Seeno Evils run rampant. The eggs she's told to break contain the spirits of young girls who committed suicide due to their traumas, and Ai, along with three other girls—Neiru, Rika, and Momoe—have to not only protect the girls from Seeno Evils, but defeat the manifestations of their traumas, Wonder Killers, in order to save the people they hold dear. Thinking this'll bring her friend back, Ai takes on the challenge, but she and the other girls have no idea what they just got themselves wrapped up in.

Not gonna lie, the animation is absolutely luscious. Packed with movement and immaculate detail in nearly every frame, and all of it is always used for a specific purpose, from the flowers and their symbolism to the dynamic character animation. Everything is just brimming with life, from the fantastic use of color to even little things like the way characters carry themselves really show just how much effort the producers put into this. It's practically at the level of KyoAni's standards of animation...although, it wasn't without cost. Apparently, the animation team assigned to WEP was fairly small, so they didn't have a lot of the resources other companies did. Because of this, the production process behind the show was really, really tough. Like, animators being sent to the hospital because of needing to meet deadlines and biting off way more than they can chew tough. I'm not even kidding. Japan's animation industry isn't perfect, as people work long hours for startlingly low salaries, often times to the point of being stuck at work for literal days without end, glued to their desks, which resulted in one animator being sent to the hospital twice due to overwork. There's a reason the Japanese made up their own word, karoushi, meaning death by overwork. I mean, I love when animators really do their best to make a show look as good as possible, but it should never be at the expense of their physical and mental health. I don't have much to say about the soundtrack. The background music is nice, and the opening and ending songs are great too, even if the latter is deliberately unfitting, being a cutesy, peppy J-pop song in a dark urban fantasy anime.

The characters are where things start to get tricky. For one, a good portion of the main cast are very well developed and have a lot of depth to them. They all have their flaws, strengths, weaknesses, and layered personalitites that make them stand above the typical anime archetypes we're so used to seeing. Rika in particular stands out for the better, as although she's mainly on the side of good, she's an insecure teenager and former teen idol who starts off as a mooching little bitch, freely admits to fat-shaming a former fan into starving herself to death (and continues to fat shame her even as a statue), shoulders a lot of guilt because of what her actions caused, and pretty much acts like any teenager in her situation would. That being said, other characters aren't so lucky. Neiru starts off as an aloof girl, but some aspects of her character stretch my willing suspension of disbelief, like the fact that she, a 14-year-old, is the president of a big company. More is revealed about her character later on that...don't make a whole lot of sense. Plus, Momoe's situation is really vague. Just what is her deal? Is she transgender? Does she not like constantly being mistaken for a boy, or girls confessing their love to her? If she doesn't want to be mistaken for a boy, why does she wear a suit and keep her hair short? The anime doesn't really explain what Momoe's issues are all that well.

But I can deal with a lot of this. The story for the first half of the series was intriguing, I liked the mystery aspect, and the idea of these teenage girls becoming friends and helping each other through their issues was definitely very appealing to me. But then everything after episode seven happened. The series started to get really shaky in the eventual reveals that came later, and the final episode...dear God. Derailing is a really big word, but that's exactly what Wonder Egg Priority does in episodes 11, 12, and 13, and I'm not going to lie, Wonder Egg really shit the bed. HARD. No, seriously, I have never seen a series go from so good to just so incredibly BAD in such a short amount of time, especially in the finale, which need I mention, was delayed by two months because the animators were overworked. Aside from the animation and the first half of the story, I honestly can't bring myself to say anything good about the last half of it, from all the piss-poor writing decisions it makes, to the really important plotlines it randomly introduces and then just completely forgets about or straight up ignores in the very next episode (Kind of like how A Wrinkle In Time established this big force of evil that the main kids have to deal with, but then completely forget about it and go about their merry lives at the very end), making the characters act way out of character for no reason at all, completely botching all of the themes and issues its set up (I found an article that explains this in much better detail here), and losing all of its nuance and subtlety. This show would have been amazing if the piss-poor execution in the latter half didn't completely shit the bed and spit on everything the series previously established. Seriously, I could write a better ending to this series that would actually wrap up all of its plotlines, or at the very least present them in ways that are not only cohesive, but not nearly as ruthlessly mean-spirited as the actual show would turn out to be later. It's especially bad when the creators are given time to make their final episode one hour long, but not only do they spend it on a SECOND recap of the series that serves no purpose, but could have used that time to actually address and wrap up its different plot threads but didn't!

God, I really wanted to like Wonder Egg Priority. I really did. It's really sad that the anime turned out the way it did, because had it not been plagued with production troubles, or even had better writers or planning, this anime could have been a masterpiece. It seemed like it was really going to be something different and ambitious. It certainly tried, but in the end, it just fell off a cliff and didn't stick the landing. Wonder Egg Priority, you deserve better. But with the way it is now, I can't bring myself to recommend this anime in any conceivable way.
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